Andrea Phillips is BALTIC Professor and Director of BxNU Research Institute, Northumbria University & BALTIC Centre for Contemporary Art, Newcastle-Gateshead. Andrea lectures and writes about the economic and social construction of public value within contemporary art, the manipulation of forms of participation and the potential of forms of political, architectural and social reorganization within artistic and curatorial culture.
By disjointing acts of listening from the ear and its particular arrangement of time, Sonic Continuum proposes a shift from representation to expression and asks: can sound restitute failures to listen? How might we listen to time affectively? What auditory imaginaries and possible futures can listening unfold?
The pedagogical imperative in contemporary art has two functions. One is ideological and one is economic. The ideological function is manifest in artists’, curators’, and other related actors’ participation in the utopian redistribution of centrally-organised education through critique, anti-correlation, and processes of disidentification. This is a warped ideological pursuit, one that is done in the…