Denise Ferreira da Silva is a Professor and Director of The Social Justice Institute (GRSJ) at the University of British Columbia. She is the author of Toward a Global Idea of Race and co-editor of Race, Empire, and The Crisis of the Subprime (with Paula Chakravartty). Her art-related work includes texts for publications linked to the 2016 Liverpool and and Sao Paulo Biennales, Venice 2017, and Documenta 14, as well as collaborations, such as the play Return of the Vanishing Peasant, with Ros Martin, the films Serpent Rain (2016) and 4Waters-Deep Implicancy (2018), with Arjuna Neuman; and events (performances, talks, and private sessions) and texts related Poethical Readings and the Sensing Salon, with Valentina Desideri.
By disjointing acts of listening from the ear and its particular arrangement of time, Sonic Continuum proposes a shift from representation to expression and asks: can sound restitute failures to listen? How might we listen to time affectively? What auditory imaginaries and possible futures can listening unfold?
Exploring forms of elemental listening, this sonic statement by writer-in-residence Jota Mombaça, deals with sound as heat and fire as re-de-composition of matter and language.