Jota Mombaça is a non-binary bicha, born and raised in the northeast of Brazil, who writes, performs and investigates on the relations between monstrosity and humanity, kuir studies, de-colonial turns, political intersectionality, anticolonial justice, redistribution of violence, visionary fictions, the end of the world and tensions among ethics, aesthetics, art and politics in the knowledge productions of the global south-of-the-south.
Exploring forms of elemental listening, this sonic statement by writer-in-residence Jota Mombaça, deals with sound as heat and fire as re-de-composition of matter and language.
In this fictional essay by Nottingham Contemporary’s writer in residence, Jota Mombaça considers forms of enclosure produced by the current ‘Global Biopolitical Siege’ and its increased militarisation, surveillance, and social disintegration through a speculative take on collectivity, sensibility, and anxiety.